Showing posts from March, 2021


Lindsay B-e, "carbon cleaning columns". By permission Lindsay B-e ’s debut collection The Cyborg Anthology ( Brick Books , 2020) is a book that imagines itself into a post-future future, a time after robots and cyborgs, who had thrived alongside humans, have been largely wiped out by the Great Solar Flare of 2202. The anthology’s aim is “to preserve and remember the Cyborg poets.” B-e’s invented poets tell of being and suffering, while B-e’s poems examine being and the elements that compose it. They shift and open the question of what it is to be human. The playfulness of language delights me: titles like Hazel Hush’s “Relate Real Late” and “Topic Top Pick”, and the shaped poems of Patterson Armitage--The DictaScrivener, poems that curl and unfurl and clot over the page. The invented eras and schools make fond mockery of poetics and theory. And I’m moved by the expressions of desire, anguish, love and loss in these voices, how though some of them may deny it, they spea