CONVERSATIONS
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Jan Bickerton, courtesy Red Edge Images |
Madhur Anand tells an origin story
Larissa Andrusyshyn on building and tearing down
Linda Besner on the false beard that hides the winking chin
Ronna Bloom dispensing in the waiting room
Suzanne Buffam on restless and unruly form
Karen Enns on the poem that lives in the space of the poem
Gabe Foreman on play
Sue Goyette leans in to our times
Katia Grubisic on the Whispering Poetry Elf vs Dukes of Hazzard
Phil Hall on radiant quirks, raw decorum, and next syllables
Jemma L. King addresses the undressed
Anita Lahey on oxygen like light
Tim Lilburn walks alongside the zeitgeist
Jeanette Lynes steps into the waves
Tanis MacDonald gets mobile
Nyla Matuk on the canny uncanny
Cassidy McFadzean taps the irresistible
Sadiqa de Meijer on goosebumps and awe
Sadiqa de Meijer with Stephanie Bolster on poetry and translation
Amanda Jernigan on bubbling up from deep wells
Molly Peacock braids contradiction into lattice
Pearl Pirie adds back
Steven Price on movement and interruption
Medrie Purdham on temporal and moving things
Sandra Ridley: interior with landscape
Joe Rosenblatt on poetry, painting and creatures that spill between them
Mary Jo Salter on upended time and the sonnet crown as ramble
Gjertrud Schnackenberg and Gregory Fried on the image in the image in "Afghan Girl"
Gjertrud Schnackenberg on striking the unstruck sound
Gjertrud Schnackenberg on the visible song
Eleonore Schönmaier on the camera as notebook
Sue Sinclair on lyric intensity and alignment
Gillian Sze on chance and appetite
Nick Thran's many moves
Phoebe Wang's cupped hands
Shannon Webb-Campbell on bringing it to the table
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